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Industrial building plant Arvin Meritor Brno
Habarta, Jaroslav ; Vranová, Daniela (referee) ; Boleslavská, Yvona (advisor) ; Donaťáková, Dagmar (advisor)
The aim of the bachelor thesis was the elaboration of project documentation based on the studio project AG036. This is a new Arvin Meritor industrial plant specializing in the production of a car sub-system. The production of the plant should cover the demands of the Škoda Auto car factory, with a planned production of 300,000 vehicles per year. In accordance with the need for intensive exploitation of the territory of the City of Brno, the object is located on a plot in the Brno-Maloměřice district, which is run as brownfield no. 1904 and for which the applicable land plan assumes the production function. The concept of a new building by its location on the given plot takes into account the planned extension of the production part of the plant and eventual use of the site in the form of a new industrial zone. The object itself is designed as three cubic masses divided by illuminating corridors and functionally split into a production and administrative part with staff backgrounds. The production flow starts at the take in ramp to which the reception and storage of the goods is followed, including inspection and registration. Custom assembly takes place on three assembly lines, the production process is completed by a functional test and an output check.
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The author and the performer of the musical work as parties to copyright relations in the process of creation and exploitation of the copyright work
Kletenský, Jan ; Křesťanová, Veronika (advisor) ; Holcová, Irena (referee)
The aim of the thesis is to present the legal framework of the copyright and rights related to copyright to authors and performers of musical work. As a relatively complex issue, in my opinion, it is important for authors and performers as artists to have at least a basic idea of what rights and obligations arise in the process of creation and exploitation of musical works and what legal framework of protection the law provides to them. Moreover, this topic is very close to me because I am myself author and performer of musical works. The first chapter deals with the musical work in terms of its individual components, both from legal and music theory point of view. Considering that the criterion of uniqueness of the copyright work does not exclude the use of parts of other works, I also examine the issue of legal uses of foreign works in the process of the creation of copyright works and the issue of plagiarism. At the end of the first chapter I mention the creation of a copyright work by collaboration of multiple authors (which is typical for musical works). In the second chapter, I introduce to the authors the catalogue of their moral and property rights, focusing on those areas that are relevant to musical works, including the duration of their rights and post-mortal protection. The third...
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Industrial building plant Arvin Meritor Brno
Habarta, Jaroslav ; Vranová, Daniela (referee) ; Boleslavská, Yvona (advisor) ; Donaťáková, Dagmar (advisor)
The aim of the bachelor thesis was the elaboration of project documentation based on the studio project AG036. This is a new Arvin Meritor industrial plant specializing in the production of a car sub-system. The production of the plant should cover the demands of the Škoda Auto car factory, with a planned production of 300,000 vehicles per year. In accordance with the need for intensive exploitation of the territory of the City of Brno, the object is located on a plot in the Brno-Maloměřice district, which is run as brownfield no. 1904 and for which the applicable land plan assumes the production function. The concept of a new building by its location on the given plot takes into account the planned extension of the production part of the plant and eventual use of the site in the form of a new industrial zone. The object itself is designed as three cubic masses divided by illuminating corridors and functionally split into a production and administrative part with staff backgrounds. The production flow starts at the take in ramp to which the reception and storage of the goods is followed, including inspection and registration. Custom assembly takes place on three assembly lines, the production process is completed by a functional test and an output check.
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The author and the performer of the musical work as parties to copyright relations in the process of creation and exploitation of the copyright work
Kletenský, Jan ; Křesťanová, Veronika (advisor) ; Holcová, Irena (referee)
The aim of the thesis is to present the legal framework of the copyright and rights related to copyright to authors and performers of musical work. As a relatively complex issue, in my opinion, it is important for authors and performers as artists to have at least a basic idea of what rights and obligations arise in the process of creation and exploitation of musical works and what legal framework of protection the law provides to them. Moreover, this topic is very close to me because I am myself author and performer of musical works. The first chapter deals with the musical work in terms of its individual components, both from legal and music theory point of view. Considering that the criterion of uniqueness of the copyright work does not exclude the use of parts of other works, I also examine the issue of legal uses of foreign works in the process of the creation of copyright works and the issue of plagiarism. At the end of the first chapter I mention the creation of a copyright work by collaboration of multiple authors (which is typical for musical works). In the second chapter, I introduce to the authors the catalogue of their moral and property rights, focusing on those areas that are relevant to musical works, including the duration of their rights and post-mortal protection. The third...
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Vít Olmer: landmarks of the Czech exploatation - a disorted view of postcommunist society
Blažek, Jiří ; Čeněk, David (advisor) ; Hanáková, Petra (referee)
The following bachelor thesis focuses on film exploitation as a tabloid phenomenon; particularly examines the tabloid tendencies of productions of Vít Olmer in the years after the Velvet Revolution between 1990 and 1995 in Czech cinema. His work reflects the new creative democratic circumstances that arose after November 1989. Olmer effectively used these circumstances to his benefit and as a result he became one of the most productive personalities of the mid-90s. The first part of the thesis consists of a mapping of the status of exploitation film in foreign academia. Based on Pierre Bourdieu's concept, it explores how the logic of "pure taste" influenced the approach to the "tawdry cinema", its research, and last but not least, an attitudes of researchers of (exploitation in) cinema themselves. It then provides an overall view on allied difficulties accompanying exploitation film; the scattered identity unfounded by virtually no theoretical basis remains an essential problem of the analyses of exploitation cinema in the context of film studies. The second part of the thesis expounds a rudimentary nature of the exploitation phenomenon with the contribution of sensationalism, theoretical model used mainly in a media studies. The part proves close relation between the sensationalism, a paradigm...
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